Wednesday, April 17, 2013

Un-reviewable Dramas 2: Mr. Brain and Maou

What’s this?? Rosie doesn’t love me anymore!?

After last month’s introduction to my unreviewable dramas (aka, the dramas I just don’t care to write much about, but don’t want to forget about entirely), this time I half discuss two J-dramas that… just didn’t do the trick for me: crime scene investigation drama with the brainy KimuTaku and creepy murder revenge supernatural(?) detective story with Ikuta Toma. 

That’s right, Mr. Brain (2009) and Maou (2008) are the next to join my list of totally meh dramas. 

Sunday, April 14, 2013

Shifting Tactics: Need More Jdramas!

Just a note on my recent silence: I have writer's block! (Not really) It's more like, I'm too lazy to actually write as fast as I watch dramas. And here's why! I am giving up Kdramas for the time being. Nooo, that's not completely true either. Truth is, I will probably give Gu Family Book a weekly attempt just to keep up with some part of the currently airing Kdrama society, but I decided to make a conscious effort to watch less Kdramas, and more Jdramas, Tdramas, and heck - if anybody knows any good Chinese dramas, I will watch those too! 

Why this sudden shift in drama watching tactics? Because I'm feeling an impending Kdrama death. Shows that I know are good, or should be good, I do not like. Dramas that I know are unique, I do not enjoy. Maybe I'm over-saturated. I need a change of pace. Plus, I owe it to myself to learn (hah!) more about other cultures, not just Korean. 



Current Stats

According to my master list over at mydramalist.com, I have now seen a grand total of 4 Taiwanese dramas. Wow.. Nobody be too shocked at that amazingly large number. 




And, for Japanese dramas, a modest total of 17. 





Compare this to the 63 odd Kdramas I have seen in just the past year and a half alone. I think I have some making up to do. All suggestions are welcome! Please help!

Tuesday, April 2, 2013

Jdrama Review: Majo no Jouken (1999)



Majo no Jouken 
魔女の条件 
8/10 

Prepare yourself for a ridiculously young Takizawa Hideaki. I’m not kidding. The man I fell in love with in Orthros no Inu was indeed once a baby – 17 at this time playing high school student Kurosawa Hikaru who, falls in love with his homeroom teacher Hirose Michi played by the 26 year old Matsushima Nanako. Is the love returned? Would it be a drama if it wasn’t? 

If you’ve been around Kdramas long enough, you’ll know that younger man/older woman genre dramas are there in plenty. There’s also no lack of on screen student-teacher relationships, whether they’re played up just for added storyline, or if we’re talking about the main OTP. Where Korea fails in its depictions though are in the specific, gritty details. Lots of denial, skirting around the problem, and random time jumps are the norm (Biscuit Teacher Star Candy, Big). Japan spares no details apparently. Majo no Jouken, or Forbidden Love, is a fully fledged love story that jumps right into the story, the romance, and all the icky taboos and consequences. 

In some ways, Majo no Jouken was a predictable roller-coaster ride as the ‘forbidden’ couple struggle to find acceptance in a society that doesn’t legally forbid their love, but certainly doesn’t know how to handle it. However, a variety of side characters add to the battle, including Hirose-sensei’s one time fiancé and Hikaru’s young and possessive single mother. And between these two, we get the feeling that there are some things even sicker and twisted than the relatively innocuous age difference of our show’s main lovers. 


On a Technical Note:

This drama had me asking questions I never thought I'd worry about. The amount of time I spent surfing the internet studying Japanese legal age of consent; wondering if Japan really does consider it a psychological disorder for a woman to love a high school age boy; curiosity if Japan would really go to such lengths to depict one of the creepiest mothers ever before hinted at; confusion as to why I could care so much about a couple that seems so destined to suffer one crisis after another...

All fruitless efforts, really.  Half mushy, half gritty, Majo's romance was a hot whirlwind of a mess, and not afraid of delving into serious life questions.  What does a woman do when her boyfriend is uneducated and unemployed, and how does said boyfriend take care of a woman 9 years his senior? There is no instant maturity, no immediate solutions, and not every expectation will be fulfilled as first it was conceived. Kind of like... life.

I almost find it hard to recommend this, because unless you’re in the mood for a torturous road of almost Kdrama level proportions (though at least not in length), Majo no Jouken is a painful drama to watch. Even the initial sweetness of the romance is very nearly spoiled by a traumatic second half. However, if you love seeing actors portraying their characters well, and those characters being well-handled over the course of the drama, or if you just want to see Tackey back when he was young and adorable (as opposed to the older version which is just plain hot), then I guess you should watch it sometime. ;) And hardships aside, the characters really do make a sweet couple. I say that even remembering just how young he is here. At least that much is quite believable. 


P.S. Tackey getting hotter as the years go by...

Saturday, March 23, 2013

Un-reviewable Dramas 1: Joseon X Files and Flower Boy Next Door

"What do you mean, I'm un-reviewable? Eh??"
I find myself in a bit of a personal dilemma. I started this blog to occasionally take part in discussing my views of the K-Entertainment community, but mostly to keep a chronicle of all the dramas I watch (mainly for myself and just in case anybody wants to tag along). Usually this means I write a review of everything I’ve recently watched or re-watched, and in the meantime I update the sidebar accordingly. Currently watching, recently finished, and the unfortunate list of recently dropped dramas. 

It makes me angsty when I think I’m watching too many dramas. Any more than 5 at a time, and I almost feel like I’m stretching myself too thin. It also makes me angsty that I finish dramas more frequently than I review them. And then, I almost refuse to review something I’ve just finished – because of course I should deal with the pile that’s already sitting there… just waiting to be pulled apart in great (or not so great) analytic detail. 

What to do… when the list of completed dramas grows? And I don’t even want to bother. A great show, needs a great review. A horrible show needs an appropriately snarky review. But for those dramas that aren’t either or? Bleggh. Welcome, to the first of what’ll probably be many: this is my throw-up review list. Just to get them out of the way, because they’re just not worth giving a whole post in dedication of such mediocrity (in my humble opinion of course). 

This week is a Kim Ji Hoon edition, as I look at K-Dramas Joseon X-Files (2010) and Flower Boy Next Door (2013) 


Thursday, March 21, 2013

A Touch of K-Pop: March '13

It's the middle of week, nobody's home but me and my cat - I had planned to watch upwards of 7 drama episodes this day from 4 different shows I'm currently watching. What do I do instead? Get ridiculously side-tracked by K-Pop. As usual. 

Welcome to my new feature, where once a month I discuss my current thoughts on K-Pop: what's new, what's old, whatever thoughts that suddenly run through my head! Basically, an excuse to dish, fangirl, wail or bemoan, and link all kinds of brightly colored MVs. Bear with me for a bit. 



What's New:
Infinite's comeback with MV "Man in Love" and by the way, all I noticed was the CAT!  I like Infinite, I really do - but once I got over "Paradise" and "Be Mine" (dance practice versions), every other song of theirs takes months for me to warm up to. I suspect this new one will be no different. 

Man, I'm in love... with this kitty! Also, Hoya. But I think that has a lot to do with his role in Answer Me, 1997 (and being an awesome dancer) more than anything else. 


Read more for praises of EYK, itunes gift cards, Zico's eyelashes, G-Dragon's red lips, and - yes, I'm going to say it: Teen Top. Also, what on earth has P.O. been doing lately??


Saturday, March 16, 2013

Jdrama Review: Orthros no Inu (2009)


Orthros no Inu 
オルトロスの犬 
10/10 

It’s a little whim I had: to watch something completely different. Given a choice between several different Jdramas by a friend, I decided to venture out of my comfort zone, and into the territory of supernatural thriller. Orthros no Inu, or The Dog of Orthros, caught my attention, and not only for the stunning gorgeousness of its two male leads. 

The Plot

Takizawa Hideaki is Ryuzaki Shinji, and Nishikido Ryo (1 Litre of Tears) is Aoi Ryosuke – two sides of a coin and each blessed/cursed with a unique power. One wields the “God’s hand” and can heal people with just a touch. The other has the “Demon’s hand” with the power to kill. Where this seemingly basic synopsis veers into the unknown, however, is in the portrayal of these two powerful figures. Aoi Ryosuke may have a devil’s curse, but he is terrified of his own abilities, while his counterpart Ryuzaki Shinji is a devil himself, with the gift of god. When they are brought together through female detective Hasebe Nagisa (Mizukawa Asami), the game begins. It’s a cat-and-mouse thriller, as the two battle and compete against each other and their insecurities, and try to uncover the hidden past. And all the while, the threat of exposure haunts them both. 

Nishikido Ryo and Takizawa Hideaki
From beginning to end, the mystery behind their powers drives the plot of the drama: just how much they know about each other and what are the implications of their gift. Is it a curse or blessing, or both, and how are they to be used? What is their purpose on this world? While a larger mythological background is hinted at, I actually appreciated how the drama focused more on the immediate repercussions. This isn’t a tale of gods and demons. It’s the story of two men who behind their powers are just as human as you or me. Their entanglement with Detective Hasebe gives this even more of a humanly-backing as she struggles to learn more about them - to trust or fear, protect or arrest. 
“If I were able to change this world, would God be the only one who could allow that? If humans were able to hold God’s powers, would they be able to change the world? There is only one problem. To be on par with God, there’s only one way. That is, just like God, to become heartless.” 
Thus begins the story, in voice-over form as Ryuzaki, the devil with a God’s hand, stands overlooking a city drenched in rain. The camera pans down to reveal Aoi, the angel with a devil’s hand, as he walks into the nearest police station and turns himself in for murder. 
“Coming here on my own makes the distinction, of what sort of person I, who has taken away that life, will become.” 
The "devil" and the "angel" 

It should be a story that is black and white, but as the picture above depicts – the demon wears white, and the angel wears black. Only their respective gifts are reflected in outside appearance. While I can’t say that I really agree that to be on par with God, they must become heartless like Him – that that is their image of God reflects the disconnect our characters feel from whatever being gifted them with god-like powers, and then abandoned them to make their own way. In a microcosm it’s the same walk that every human being has to go through: how to live their life, and how to use their own judgments to make or shape the world around them. It just so happens that Aoi and Ryzuzaki have the potential to make even greater impressions on a much larger scale.


The Dog of Orthros

The name comes from Greek mythology. Orthros was a two-headed dog beast (brother of the more famous 3-headed dog Cerberus), and minion to a giant. I'm sure other comparisons could be made between drama and myth, but there's not much known about the dog (other than that he eventually gets slain by Hercules). Rather, it's more interesting to me that nowhere in the show does it say which man, the angel or the demon, is the actual beast. Both are just two parts of the same whole. 


Not to ignore the drama’s political plotline (because, in this kind of scenario unfortunately one just has to exist), but that part was a little more on the predictable side of things – the only questionable outcome is which man, if either, would align with the greedy and power-hungry parties and politicians. What was more subtly done I thought were many of the side characters, including Detective Hasebe’s young daughter (who often seemed to understand important things better even than her mother), and delinquent youth Kumakiri Masaru (Yaotome Hikaru). *Note: All three of this drama's aforementioned male actors were all J-Pop idols. I may not have listened to their music (J-Pop’s not really my thing), but I do so love it when I get to praise idols for being great actors. Good job, boys! 

Or is he really just a devil?

Should you watch it? 

*coughs* Well, just look at my score. I could barely turn away from this drama, and not even the political plotline bored me for more than a few minutes at a time. Like most Jdramas, the romance may be a tiny bit lacking, but the relationship between the three main players was anything but lacking in overall chemistry. The thriller/mystery aspects were also extremely well done (if not completely perfect) but enough that even knowing the outcome, I’d be likely to watch it again.

Wednesday, March 6, 2013

Musings on the Jdrama

"Or, A Short Chronological History of my Experiments with Jdramas"


If I consider my discovery of Kdramas to be recent – as in barely a year and a half ago – then my introduction to Jdramas was barely a moment ago. I had no conscience that they even existed just half a year back. It wasn’t until I was scouring articles about Kdramas on the blogosophere that I ran into mention of these curious beings known as Jdramas or J-doramas or doramas.  But like the young and fresh thing I was, I figured what could be cooler than expanding my horizons just a little bit? I perused a giant list of recommendations from Koala’s Playground, and going by what plot synopsis seemed interesting – because I had no earthly idea who any of the actors were, I chose Nobuta wo Produce.

Will any drama ever again capture such a beautiful friendship??
Could there have any been any better introduction to the world of Jdramas? I think not. I cheered, I cried, I raved, I told every blogger I knew to hurry up and watch this. I roped my husband into starting his first Jdrama, and thereby watched it TWICE within just two weeks.

Next on my hit-list was Hana Kimi, a little quirky (okay let’s be honest: it was totally quirky) but priceless, and again I’ve already watched it twice. I followed it up with a romantic option: Tatta Hitotsu no Koi, and wow did I sure love its slow boiling story and sweet OTP.  Then to make sure I didn’t become too one-genre centric, I watched Bloody Monday. I like a good thriller. By the way, did I mention that every single one of the above mentioned dramas also boasts a pretty cast. Eye candy, people. Never underestimate good eye candy.


Business plot lines aside, you have to admit, this drama
did have some fairly nice romantic scenes.
Unfortunately, like all great things, there comes a time when the honeymoon period ends. I didn’t hit rock bottom all at once, but the next round of Jdramas became increasingly less appealing and less entertaining overall. They weren’t duds necessarily, but they were definitely approaching the dud territory, had a certain amount of charm not saved the day. 

I’m talking about Love Shuffle, Pride, Buzzer Beat, Rich Man Poor Woman (pictured right). They hit a right chord somewhere, were otherwise kind of meeh. See my individual reviews for each of these for more clarification about what I mean.


Warning: The Ranting Begins Soon.

I should give a disclaimer: I think something’s possibly wrong with my sense of humor. If I offend your precious Jdrama babies, I apologize endlessly. *extremely low bow*

I don’t even know what happened. Here I was, mindlessly going on my merry Jdrama way when I came across two (in my eyes) atrocious Jdramas. I’m appalled. They’re all so well spoken of, and highly praised, and I’m at pains to figure out why. Hence the premise of this entire article.


READ MORE for partial reviews of Atashinchi no Danshi and Nodame Cantabile, with possible explanations for why I just couldn't stand them (No Spoilers)