Showing posts with label Takizawa Hideaki. Show all posts
Showing posts with label Takizawa Hideaki. Show all posts

Tuesday, April 2, 2013

Jdrama Review: Majo no Jouken (1999)



Majo no Jouken 
魔女の条件 
8/10 ♥♥

Prepare yourself for a ridiculously young Takizawa Hideaki. I’m not kidding. The man I fell in love with in Orthros no Inu was indeed once a baby – 17 at this time playing high school student Kurosawa Hikaru who, falls in love with his homeroom teacher Hirose Michi played by the 26 year old Matsushima Nanako. Is the love returned? Would it be a drama if it wasn’t? 

If you’ve been around Kdramas long enough, you’ll know that younger man/older woman genre dramas are there in plenty. There’s also no lack of on screen student-teacher relationships, whether they’re played up just for added storyline, or if we’re talking about the main OTP. Where Korea fails in its depictions though are in the specific, gritty details. Lots of denial, skirting around the problem, and random time jumps are the norm (Biscuit Teacher Star Candy, Big). Japan spares no details apparently. Majo no Jouken, or Forbidden Love, is a fully fledged love story that jumps right into the story, the romance, and all the icky taboos and consequences. 

In some ways, Majo no Jouken was a predictable roller-coaster ride as the ‘forbidden’ couple struggle to find acceptance in a society that doesn’t legally forbid their love, but certainly doesn’t know how to handle it. However, a variety of side characters add to the battle, including Hirose-sensei’s one time fiancé and Hikaru’s young and possessive single mother. And between these two, we get the feeling that there are some things even sicker and twisted than the relatively innocuous age difference of our show’s main lovers. 


On a Technical Note:

This drama had me asking questions I never thought I'd worry about. The amount of time I spent surfing the internet studying Japanese legal age of consent; wondering if Japan really does consider it a psychological disorder for a woman to love a high school age boy; curiosity if Japan would really go to such lengths to depict one of the creepiest mothers ever before hinted at; confusion as to why I could care so much about a couple that seems so destined to suffer one crisis after another...

All fruitless efforts, really.  Half mushy, half gritty, Majo's romance was a hot whirlwind of a mess, and not afraid of delving into serious life questions.  What does a woman do when her boyfriend is uneducated and unemployed, and how does said boyfriend take care of a woman 9 years his senior? There is no instant maturity, no immediate solutions, and not every expectation will be fulfilled as first it was conceived. Kind of like... life.

I almost find it hard to recommend this, because unless you’re in the mood for a torturous road of almost Kdrama level proportions (though at least not in length), Majo no Jouken is a painful drama to watch. Even the initial sweetness of the romance is very nearly spoiled by a traumatic second half. However, if you love seeing actors portraying their characters well, and those characters being well-handled over the course of the drama, or if you just want to see Tackey back when he was young and adorable (as opposed to the older version which is just plain hot), then I guess you should watch it sometime. ;) And hardships aside, the characters really do make a sweet couple. I say that even remembering just how young he is here. At least that much is quite believable. 


P.S. Tackey getting hotter as the years go by...

Saturday, March 16, 2013

Jdrama Review: Orthros no Inu (2009)


Orthros no Inu 
オルトロスの犬 
10/10 ♥♥♥♥

It’s a little whim I had: to watch something completely different. Given a choice between several different Jdramas by a friend, I decided to venture out of my comfort zone, and into the territory of supernatural thriller. Orthros no Inu, or The Dog of Orthros, caught my attention, and not only for the stunning gorgeousness of its two male leads. 

The Plot

Takizawa Hideaki is Ryuzaki Shinji, and Nishikido Ryo (1 Litre of Tears) is Aoi Ryosuke – two sides of a coin and each blessed/cursed with a unique power. One wields the “God’s hand” and can heal people with just a touch. The other has the “Demon’s hand” with the power to kill. Where this seemingly basic synopsis veers into the unknown, however, is in the portrayal of these two powerful figures. Aoi Ryosuke may have a devil’s curse, but he is terrified of his own abilities, while his counterpart Ryuzaki Shinji is a devil himself, with the gift of god. When they are brought together through female detective Hasebe Nagisa (Mizukawa Asami), the game begins. It’s a cat-and-mouse thriller, as the two battle and compete against each other and their insecurities, and try to uncover the hidden past. And all the while, the threat of exposure haunts them both. 

Nishikido Ryo and Takizawa Hideaki
From beginning to end, the mystery behind their powers drives the plot of the drama: just how much they know about each other and what are the implications of their gift. Is it a curse or blessing, or both, and how are they to be used? What is their purpose on this world? While a larger mythological background is hinted at, I actually appreciated how the drama focused more on the immediate repercussions. This isn’t a tale of gods and demons. It’s the story of two men who behind their powers are just as human as you or me. Their entanglement with Detective Hasebe gives this even more of a humanly-backing as she struggles to learn more about them - to trust or fear, protect or arrest. 
“If I were able to change this world, would God be the only one who could allow that? If humans were able to hold God’s powers, would they be able to change the world? There is only one problem. To be on par with God, there’s only one way. That is, just like God, to become heartless.” 
Thus begins the story, in voice-over form as Ryuzaki, the devil with a God’s hand, stands overlooking a city drenched in rain. The camera pans down to reveal Aoi, the angel with a devil’s hand, as he walks into the nearest police station and turns himself in for murder. 
“Coming here on my own makes the distinction, of what sort of person I, who has taken away that life, will become.” 
The "devil" and the "angel" 

It should be a story that is black and white, but as the picture above depicts – the demon wears white, and the angel wears black. Only their respective gifts are reflected in outside appearance. While I can’t say that I really agree that to be on par with God, they must become heartless like Him – that that is their image of God reflects the disconnect our characters feel from whatever being gifted them with god-like powers, and then abandoned them to make their own way. In a microcosm it’s the same walk that every human being has to go through: how to live their life, and how to use their own judgments to make or shape the world around them. It just so happens that Aoi and Ryzuzaki have the potential to make even greater impressions on a much larger scale.


The Dog of Orthros

The name comes from Greek mythology. Orthros was a two-headed dog beast (brother of the more famous 3-headed dog Cerberus), and minion to a giant. I'm sure other comparisons could be made between drama and myth, but there's not much known about the dog (other than that he eventually gets slain by Hercules). Rather, it's more interesting to me that nowhere in the show does it say which man, the angel or the demon, is the actual beast. Both are just two parts of the same whole. 


Not to ignore the drama’s political plotline (because, in this kind of scenario unfortunately one just has to exist), but that part was a little more on the predictable side of things – the only questionable outcome is which man, if either, would align with the greedy and power-hungry parties and politicians. What was more subtly done I thought were many of the side characters, including Detective Hasebe’s young daughter (who often seemed to understand important things better even than her mother), and delinquent youth Kumakiri Masaru (Yaotome Hikaru). *Note: All three of this drama's aforementioned male actors were all J-Pop idols. I may not have listened to their music (J-Pop’s not really my thing), but I do so love it when I get to praise idols for being great actors. Good job, boys! 

Or is he really just a devil?

Should you watch it? 

*coughs* Well, just look at my score. I could barely turn away from this drama, and not even the political plotline bored me for more than a few minutes at a time. Like most Jdramas, the romance may be a tiny bit lacking, but the relationship between the three main players was anything but lacking in overall chemistry. The thriller/mystery aspects were also extremely well done (if not completely perfect) but enough that even knowing the outcome, I’d be likely to watch it again.